138: COURT & SPARK | JONI MITCHELL

 

Jason Ankeny at AllMusic: Joni Mitchell reached her commercial high point with Court and Spark, a remarkably deft fusion of folk, pop, and jazz which stands as her best-selling work to date. While as unified and insightful as Blue, the album -- a concept record exploring the roles of honesty and trust in relationships, romantic and otherwise -- moves away from confessional songwriting into evocative character studies: the hit "Free Man in Paris," written about David Geffen, is a not-so-subtle dig at the machinations of the music industry, while "Raised on Robbery" offers an acutely funny look at the predatory environment of the singles bar scene. Much of Court and Spark is devoted to wary love songs: both the title cut and "Help Me," the record's most successful single, carefully measure the risks of romance, while "People's Parties" and "The Same Situation" are fraught with worry and self-doubt (standing in direct opposition to the music, which is smart, smooth, and assured from the first note to the last).

Court and Spark is the sixth studio album by Canadian singer-songwriter Joni Mitchell. It was an immediate commercial and critical success—and remains her most successful album. Released in January 1974, it has been described as pop, but also infuses Mitchell's folk rock style, which she had developed through her previous five albums, with jazz inflections.

It reached No. 2 in the United States and No. 1 in Canada and eventually received a double platinum certification by the RIAA, the highest of Mitchell's career.  It also reached the Top 20 in the UK and was voted the best album of the year for 1974 in The Village Voice Pazz & Jop Critics Poll.  In 2003 it was listed at No. 111 in Rolling Stone's 500 Greatest Albums of All Time.

1973 was the first year since she began recording that Mitchell did not release a new album. Her previous offering, For the Roses, was released in November 1972 to critical and commercial success, and Mitchell decided to spend the whole of the next year writing and recording a new album that revealed her growing interest in new sounds—particularly jazz. During 1973, her stage appearances were fewer than in previous years. She performed in April in a benefit concert at the Sir George Williams University Auditorium and then appeared live again in August, twice at The Corral Club, accompanied by Neil Young.

Mitchell spent most of 1973 in the recording studio creating Court and Spark. Mitchell and engineer Henry Lewy called in a number of top L.A. musicians to perform on the album including members of the Crusaders, Tom Scott's L.A. Express, cameos from Robbie RobertsonDavid Crosby & Graham Nash and even a twist of comedy from Cheech & Chong.

On December 1, Asylum Records released a single, her first in over a year, "Raised on Robbery". The single reached No. 65 on the Billboard Singles Chart in February 1974. Read more