104: JUST AS I AM | BILL WITHERS
Richie Unterberger at AllMusic: Though low-key by the standards of early-'70s soul, Withers' debut record is by most measures an astonishing maiden outing. Perhaps being at a relatively advanced age for a singer/songwriter doing his first album (Withers was in his early thirties by the time it was released) helped give the songs a maturity and weight lacking in most initial efforts. Withers immediately carved a distinct niche for himself within soul music by integrating folkier, more introspective elements than what was being heard almost anywhere else within the style. While gentle orchestration and jazz-funk rhythms could often be heard, he didn't forsake some down-home blues and gospel influences, which really came to the forefront on songs like "Grandma's Hands." The lilting, melancholy "Ain't No Sunshine" was the deserved smash hit from the record, but there were a bunch of fine effervescently grooving songs on the rest of the album that remain unjustly familiar to the general audience, like "Harlem," "Sweet Wanomi," "Moanin' and Groanin'," and "Better Off Dead." All the material was original save covers of Fred Neil's "Everybody's Talkin'" and the Beatles' "Let It Be," both of which Withers made over into his own memorable acoustic-based soul style.
Just As I Am is the debut studio album of American soul musician Bill Withers, released in 1971 on Sussex Records. The album features the hit single "Ain't No Sunshine", which was ranked at number 280 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time. The album is also known for featuring the single "Grandma's Hands," which reached number 18 on the Best Selling Soul Singles chart and 42 on the Billboard Hot 100. Booker T. Jones produced, arranged, and played keyboards and guitar on Just As I Am, alongside bassist Donald "Duck" Dunn and drummer Al Jackson Jr. of Booker T. & the M.G.'s, with Stephen Stills on lead guitar. The album was later reissued as a dual disc with a second disc featuring all the tracks in 5.1 Surround Sound.
Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau wrote:
With faultless production from Booker T.—even the strings are taut—this is an unusually likable and listenable middlebrow soul LP. As befits a strummer of acoustic guitars, Withers is more folk than pop, and when he adds folk seriousness to a gospel fervor surprising in such an apparently even-tempered man, he makes titles like 'I'm Her Daddy' and 'Better Off Dead' take on overtones of radical protest where other singers would descend into bathos. I don't find that even standout cuts like 'Ain't No Sunshine' and 'Grandma's Hands' reach out and grab me, but except for a letdown toward the end of side two the flow sustains.