In this fella's humble opinion this is one of the better records of the San Fran-chedelic (i just made that up) movement of the mid to late 60s. Better than The Grateful Dead, Blue Cheer, Quicksilver Messenger Service and It's A Beautiful Day. But not better than Jefferson Airplanes Surrealistic Pillow. Moby has a fuller sound than their peers with solid song writing. Frontman Skip Spence (see #646) definately partook of the bountiful acid of the time and like Syd Barrett (#846) and Roky Erickson (#906) wound up loosing his damn mind and being committed. That and manager disputes lead to their early demise. They would have done great things had they gotten the 70s.

Wiki: Moby Grape is the 1967 debut album by rock band Moby Grape. Coming from the San Francisco scene, their reputation quickly grew to immense proportions, leading to a bidding war and a contract with Columbia Records. The album peaked at #24 on the Billboard 200 albums chart in September 1967.

Production began on Moby Grape in Los Angeles in March 1967.  Produced by David Rubinson, it took just six weeks, and $11,000,  from March 11 to April 25, to record all thirteen tracks. Another song "Rounder" was also recorded, but no lyrics or vocals were completed for it at the time.

The cover photograph is by noted rock photographer Jim Marshall. On the original release, Don Stevenson is shown "flipping the bird" (making an obscene gesture) on the washboard. It was airbrushed out on subsequent pressings, but the UK reissue on Edsel/Demon restored it.

The flag behind Skip Spence is actually a United States flag that Columbia Records decided to obscure through airbrushing, presumably due to the political climate of the times. On the original release, the flag is colored red. When the cover was revised to remove the offending finger mentioned above, the flag was changed from red to black, again presumably due to possible political interpretations (the association of the color red with communism). The Edsel vinyl (1984) and CD (1989) re-issues restored the photo to its original state, with Don Stevenson's displayed finger and an un-airbrushed United States flag. Other CD re-issues use the cover from the first pressing, with the finger intact and the flag tinted red.

Released on June 6, 1967,  Columbia chose also to place ten of the thirteen songs on five singles released on the same day: "Fall on You"/"Changes", "Sitting By the Window"/"Indifference" (2:46 edit), "8:05"/"Mister Blues", "Omaha"/"Someday" and "Hey Grandma"/Come in the Morning".  Of these five, only "Omaha" and "Hey Grandma" charted. All five records were issued with picture sleeves showing the same album cover photo.

Nevertheless, as Gene Sculatti and Davin Seay write in their book San Francisco Nights, Moby Grape "remains one of the very few psychedelic masterpieces ever recorded." Justin Farrar considered that "(i)t's no understatement to hail the group's 1967 debut as the ancestral link between psychedelia, country rock, glam, power pop and punk." In addition, the 1983 Rolling Stone Record Guide said their "debut LP is as fresh and exhilarating today as it was when it exploded out of San Francisco during 1967's summer of love." In 2003, the album was ranked number 121 on Rolling Stone magazine's list of the 500 greatest albums of all time, and 124 in a 2012 revised listing. It was also voted number 98 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000).

The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981).As reviewed by Mark Deming, "Moby Grape is as refreshing today as it was upon first release, and if fate prevented the group from making a follow-up that was as consistently strong, for one brief shining moment Moby Grape proved to the world they were one of America's great bands. While history remembers the Grateful Dead and Jefferson Airplane as being more important, the truth is neither group ever made an album quite this good."

In 2008, Skip Spence's song "Omaha" was listed as number 95 in Rolling Stone's "100 Greatest Guitar Songs of All Time". The song was described there as follows: "On their best single, Jerry Miller, Peter Lewis and Skip Spence compete in a three-way guitar battle for two and a quarter red-hot minutes, each of them charging at Spence's song from different angles, no one yielding to anyone else." Writing in 1967, shortly after the album's release, Crawdaddy! creator Paul Williams described "Omaha" as "the toughest cut on the album (and) one of the finest recorded examples of the wall-of-sound approach in rock. It surges and roars like a tidal wave restrained by a seawall. Read more