Matthew Strauss at Pitchfork writes: IGOR sounds like the work of a perfectionist giving shape to his more radical ideas. Tyler, who proudly produced, wrote, and arranged the album, is singing more but he’s not worrying whether his tracks have a traditional pop arc. Songs don’t build to a crescendo, they often begin there. The opening “IGOR’S THEME” serves less as a guiding force and more like a recurring motif of doom that hides in the shadows and pops its head in at select moments, like on “NEW MAGIC WAND” where spooky synths erupt below Tyler’s thought process: “I saw a photo, you looked joyous,” goes one of the more poignant lines. Atop this budding dread, Tyler layers candied keys and harmonizing vocals. The brightness is defiant, as Tyler processes the loss of . . . .