Some Guy's Top 1000 Albums

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87: HARVEST | NEIL YOUNG

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Harvest is the fourth studio album by Canadian / American musician Neil Young, released in February 1972 on Reprise Records, catalogue MS 2032. It featured the London Symphony Orchestra on two tracks and vocals by noted guests David CrosbyGraham NashLinda RonstadtStephen Stills, and James Taylor. It topped the Billboard 200 album chart  for two weeks, and spawned two hit singles, "Old Man", which peaked at number 31 on the Billboard Hot 100, and "Heart of Gold", which reached No. 1.[3] It was the best-selling album of 1972 in the United States.

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After the members of Crosby, Stills, Nash & Young went their separate ways in 1970, Young recruited a group of country session musicians (which he christened The Stray Gators) and recorded a country rock record, Harvest. The record was a massive hit, producing a US number one single in "Heart of Gold". Other songs returned to some usual Young themes: "The Needle and the Damage Done" was a lament for great artists who had been addicted to heroin, including Crazy Horse bandmate Danny Whitten; "Alabama" was "an unblushing rehash of 'Southern Man'"; which southern rock band Lynyrd Skynyrd wrote their 1973 hit "Sweet Home Alabama" in reply, stating "I hope Neil Young will remember, a Southern Man don't need him around, anyhow". Young later wrote of "Alabama" in his autobiography Waging Heavy Peace, saying it "richly deserved the shot Lynyrd Skynyrd gave me with their great record. I don't like my words when I listen to it. They are accusatory and condescending, not fully thought out, and too easy to misconstrue." "Words (Between the Lines of Age)", the last song on the album, featured a lengthy guitar workout with the band. It has a typical Neil Young structure consisting of four chords during the multiple improvised solos. The song is also notable for alternating between a standard 4/4 time signature for verses and choruses and an unusual 11/8 (6/8+5/8) for interludes.

The album's success caught Young off guard and his first instinct was to back away from stardom. He would later write that the record "put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there."

According to a note posted on Young's official website on May 1, 2019, "much of Harvest was written about or for Carrie Snodgress, a wonderful actress and person and Zeke Young’s mother.

"The Needle and the Damage Done" was taken from a live solo performance at UCLA on January 30, 1971.

The recording of the remainder of Harvest was notable for the spontaneous and serendipitous way it came together. The story is told in an article in Acoustic Guitar Magazine, which includes interviews with the producer, Elliot Mazer, among others.

Young arrived in Nashville in early February 1971 to perform on a broadcast of Johnny Cash Show where Linda Ronstadt and James Taylor would also appear. Mazer had opened Quadrafonic Sound Studios in Nashville, and invited Young to dinner (or breakfast according to another Mazer interview)[10] on Saturday, 6 February, to convince him to record his next project at the studio. Young admired the work of the local studio musicians known as Area Code 615 who had recorded there and was interested. Young had a batch of new songs that he had been performing on the road, as seen by the repertoire on Live at Massey Hall 1971, and told Mazer that all he needed was a bassist, drummer, and pedal steel guitarist. Young made the decision to start recording that evening.

Since many of the Area Code 615 musicians were typically working on a Saturday night in Nashville, Mazer scrambled to find drummer Kenny Buttrey, bassist Tim Drummond (who was just walking down the street), and steel-guitarist Ben Keith. That night, they laid down the basic tracks for "Old Man", "Bad Fog of Loneliness", and "Dance Dance Dance". This version of "Bad Fog" was unreleased until its appearance on The Archives Vol. 1 1963–1972. "Dance Dance Dance" was also left off the album but had already appeared on the debut Crazy Horse album. Full article