12: LONDON CALLING | THE CLASH
The number one inspiration to making this here list was when I read the 2012 Rolling Stone Magazine Top 500 Albums List and saw this record at number 8. Though I find RS Top 500 really great there are a few disagreements I have with it. But I say they really got this one right. I feel like a bit of a goose placing mine so close to theirs at number 10. There will be a few other inevitable moments that our lists align for sure.
Beyond iconic. In many ways London Calling almost as good as the other 3 double albums higher up this list. It is one of very few records that is still in at least a once a month rotation for for many years. Words fall short, so I am gonna slap some video here…
The Clash’s London Calling is a monumental album that showcases the band’s diverse musical influences and styles. It is widely regarded as one of the best albums of all time, and it has a strong political and social message.
The album was released in 1979, at a time when the UK was facing economic and social problems, such as unemployment, inflation, racism, and violence. The Clash wanted to express their frustration and anger with the system, but also their hope and optimism for the future. They also wanted to experiment with different genres and sounds, such as reggae, ska, rockabilly, R&B, and jazz. They worked with producer Guy Stevens, who encouraged them to be spontaneous and creative in the studio.
The album consists of 19 songs, each with its own style and theme. The title track “London Calling” is a powerful anthem that warns of the impending doom of nuclear war, environmental disaster, and social decay. It also references the BBC World Service’s radio station identification: “This is London calling …” 1. The song has a catchy guitar riff and a driving rhythm that makes it one of the band’s most popular songs.
Other songs on the album deal with topics such as drug addiction (“Hateful”), consumerism (“Lost in the Supermarket”), police brutality (“Clampdown”), love and sex (“Lover’s Rock”), rebellion and freedom (“Death or Glory”), and history and culture (“Spanish Bombs”, “The Right Profile”, “Revolution Rock”). The album also features a hidden track at the end, called “Train in Vain”, which is a soulful song about a broken relationship. It was added at the last minute and not listed on the cover.
The album cover is also iconic, featuring a photo of bassist Paul Simonon smashing his guitar on stage at the Palladium in New York City. The photo was taken by Pennie Smith, who initially thought it was too blurry to use. The band liked it because it captured the energy and spirit of their live performance. The cover also pays homage to Elvis Presley’s debut album, using the same font and layout 2.
London Calling is an album that transcends its time and genre, and it remains relevant and influential today. It is a masterpiece of musical innovation and social commentary, and it reflects the Clash’s vision of rock and roll as a force for change.