2022: Neil Z. Yeung at AllMusic writes: Welcome to Harry's House, where host Harry Styles will join you for a drink (or more), lend a comforting ear, and make you breakfast the next day. His third full-length,
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2022: I think this is what Charli XCX’s said her stipulations for the album art were when talking to the creative director, It needs to show off my body, you know, like most of my albums…Crash is good straight on pop.
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2022: Writing about a Beyonce album is like having review site on lesser know sodas then doing a review on Coca Cola. I mean that in that she is one of our times truly ubiquitous artists. Still I’m not placing a record here if I don’t like it.
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2021: I thought to me, dang I should put a K-Pop number on this shits. So I went on a streamy search through the immense world of Korean pop. I was looking for a straight-up T-Swift type deal. I landed on this one full of sticky sweet pop hooks.
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3.10.20 To me there are a number of sounds it is reminiscent of, the obvious listed in the review below (Stone Roses, Daft Punk, Pharell and Washed Out). It also, at times, reminds me of 70s Bee Gees, Supertramp (especially “It Might Be Time”) and ELO.
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Stacy Anderson @ Pitchfork: Robyn’s work urges on our braver selves. Without sermonizing, she shows us the dignity in our sorrow—throwing her heartbreak onto the dance floor, gulping in its neon glow like photosynthesis.
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