2022: Wet Leg is a British rock duo that consists of Rhian Teasdale and Hester Chambers, who met at a college on the Isle of Wight. They have been making waves in the indie music scene with their witty
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2022: Blue Rev is the third studio album by the Canadian indie pop band Alvvays, and one of their most acclaimed and successful works. Released on October 7, 2022,
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2022: With two Radiohead members, Thom Yorke and Johnny Greenwood, I think our main thought is how much does it sound like a Radiohead record. I’ll list where it departs from their sound.:
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2022: I have Morby’s 2017 effort City Music towards the beginning of this Newer Albums section. Kevin is one prolific album craftsman. There has been 5 releases since ‘17.
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2022: Writing about a Beyonce album is like having review site on lesser know sodas then doing a review on Coca Cola. I mean that in that she is one of our times truly ubiquitous artists. Still I’m not placing a record here if I don’t like it.
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2022: I love this cover art. It tells a story. A great combination of hip-hop and neo-soul. To me the backing goodies are important as the rhymes and flow. Few Good Things delivers here with smooth soundscapes and beats
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2022: This is one of those albums where the album art and music within perfectly align. I saw this cover and was all, fuck yeah, I’m in on this one. 70s styled straight on hard rock
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2022: Layered. Unpredictable. Uplifting. Euro. Destroyer is the musical project of Canadian singer-songwriter Dan Bejar, who is also known for his involvement in the indie rock supergroup The New Pornographers.
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2021: I haven’t heard as much great innovative hip-hop from female artists in recent years. The Cardi-Doja-Stallion-Minaj releases are kinda meh. This Brit-Hop artist is certainly as exception.
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2021: This is one of my favorite albums of ‘21. It is reminiscent of fellow Englishmen The Waterboys (#306). It is so fucking uplifting.
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2021: A perfect combination of Dream-Pop and Neo-Soul. It had me in a great trance. I am thinking this is the right road companion piece to ease any traffic tension.
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2021: I thought to me, dang I should put a K-Pop number on this shits. So I went on a streamy search through the immense world of Korean pop. I was looking for a straight-up T-Swift type deal. I landed on this one full of sticky sweet pop hooks.
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2021: That big mystical sound Mastodon is known for. I enjoy the prog elements of their records, which Hushed has in spades. So there is more switch up. It’s not all thrash, there is time-signature trickery, atmospheric sound…you know, proggy.
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2021: Ben Cardew at Pitchfork writes: Altin Gün’s third album arrives with the same mysterious allure as a weirdly shaped parcel found under the Christmas tree. Trapped in lockdown
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2021: Great swirling, dreamlike, psychedelic electronic goodness backing sharp-ass rhymes and flow. There is even a great “honestly, we’re outta gas” sample from MJ’s Thriller video
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2021: Almost as good as this album are the smokey fresh videos. I really like what they did here. Bringing us all back to a largely forgotten period in soul, late 60s to early 70s. Certainly not forgotten by me.
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2021: I’m really routing for this guy. It must be hard to be in the shadow of one of the greatest all time rock guitar gods. Wolfy has his own sound here. Mammoth is a solid main stream metal album. Epiphany really stood out for me.
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2021: 2021: An assumption was made, when first seeing this album cover, that it is a hip-hop album. It might partly be but it is mainly an alternative R&B, neo-soul, rap-rock mash-up by a great new Australian artist.
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